很喜欢这样的形式像是五场布景考究的话剧那些年少时的恐惧和难过总是会again again again againnothing never ends我知道糟糕透了我也知道根本不想好起来但是那个小男孩说that's what it's for不想要的东西可以让它们离开她被撞的话都说不出来想要的东西又该怎么留住呢……
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.